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JAMES BALMFORTH
NEW YORK MADISON
HIS PRACTICE USES SCULPTURE AND SCULPTURAL PROCESSES TO DRAW OUT THREADS OF MATERIAL PROPERTIES AND CAPABILITIES, EXPLORING SYMBOLIC MECHANISMS AND HOW THESE CAN CONTRIBUTE TO OUR IDEAS ABOUT HISTORY AND SOCIETY. PREOCCUPIED WITH NOTIONS OF LIMITATION, THRESHOLDS AND DEGRADATION, BALMFORTH’S MANAGEMENT OF SUBJECT AND MATERIAL FOCUSES ON THE BREAKING POINTS IN A SYSTEM, MATERIAL OR PROCESS AND POINTS TOWARDS THE CONSTRUCTIVE OUTCOMES OF CREATIVE ANARCHY AND DESTRUCTION. BY REVEALING THE REDEMPTIVE POTENTIAL IN COLLAPSE AND DEGRADATION, THE ARTIST SEES HIS WORK AS EXPOSING A LATENT POTENTIAL, OFFERING AN OPTIMISTIC, RATHER THAN FATALISTIC, WORLDVIEW.
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